How to Frame Your Painting or Print
To create a balanced
look, choose your matting and frame moulding in an appropriate width to support the size
of your print. A large print deserves a wider frame aesthetically, as well as structurally
than does a smaller print. As a general rule, matting is placed right next to the image.
Non-glare glass (or
plexiglass) looks great when using a single mat, or on a watercolor or Impressionist artwork.
When using double or triple mats, or framing artwork that is very detailed, standard clear glass (or plexiglass) is recommended to retain clarity.
Don't worry too much
about matching the exact shade of wood or carpet in your room. If you choose matting and
framing that enhances the artwork, it will look good in any room.
Bring your purchase to
a reputable custom framer as soon as possible. The longer the prints stay rolled the more
difficult it will be to flatten them out.
Proper Framing
Prevent damage to
valuable art pieces by framing properly. It is very important that only acid-free, 100
percent rag mats be used in framing.
The most common error
is the use of non-museum matboard within a frame. After some time has passed, when you
take the frame apart and removing the matboard, you will find a medium to dark brown line
running around the margin of the artwork. This is due to the use of paper (non-museum rag)
matboard.
A second common error
is improper hinging. Some framers mount prints and artwork using masking tape, adhesive
tape, glue, or other acidic adhesives. These will not hold up over time, and will wind up
damaging the framed piece.
You should be aware of
the methods and materials used in the framing process. Remember, you invested money and
time acquiring your artwork. You certainly don't want to see it ruined in preparation for
display.
Make sure that the
mounting methods are 100 percent reversible. You never know when you might want to sell
your item.
One of the biggest
problems people have in displaying their artwork or photographs is the problem of fading.
Many framers do not use U.V. protective glazing.
The use of U.V.
filtered glazing is very important. Although it won't eliminate all outside light and
heat, it will filter out 98 to 99 percent of the harmful ultraviolet light.
Tru Vue conservation
glass is available to protect your art from ultraviolet light damage.
If you consult a framer
about framing your objects, ask them fully explain the process to you. If they don't want
to take the time to explain to you how they will frame your pieces, perhaps it is time to
look further.
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